Showing posts with label sculpture. Show all posts
Showing posts with label sculpture. Show all posts
Thursday, September 24, 2015
People are Looking
People are looking for something,
where east meets west,
when bright west is best
and light from east
is least.
People are looking for something
where dark meets light,
oh what an amazing sight
when waning spark
wanes to dark.
People are looking for something
where light meets dark,
maybe go to a park
and watch set of sun,
night begun.
People are looking for something
where west meets east;
east was a brightening feast;
until west becomes best
for the day's rest.
Glass half-Full
Labels:
east,
east meets west,
Hawaii,
horse-drawn carriage,
light,
light and dark,
ocean,
people watching sunset,
poem,
poetry,
sculpture,
sunset,
west
Sunday, July 12, 2015
The Wind
I don't remember the first time
I ever felt it,
or saw or heard it, but
I know it is there.
I mean I know its here
or at least it was a minute ago.
And before that I saw a picture of it,
evidence that it was there
or here or somewhere.
It was in an art gallery where Mr. Wyeth had
done something or other that
moved me, really moved me although
I don't know why.
This involved brushing paint on a canvas.
It was a wistful scene but then a few minutes later
I saw another work that some artist had left behind
about a shipwreck, and it looked pretty severe.
So it works both ways.
Don't know how or when
but I remember too, some poet or his
singing about it, and he said the answer was
blowing in it,
the answer to what I don't know
maybe how many times must the cannonballs fly
or the winds of war blow or
the winds of change rearrange
everything that is or ever was or ever will be.
A few days ago I was in that windy city
where stuff had happened
long ago, back in the day,
and I remembered
part of what had happened
but I wasn't sure if it had happened to me
or if I just remembered it from some
news report I saw or some
painting I viewed or collective memory from
my g-generation
and then I remembered that ye must be born
again. The wind blows where it wishes and you hear
the sound of it, but do not know where it comes from
and where it is going; so is everyone who is born
of the Spirit
and that's enough for me.
You feel it?
I'm not making this up.
King of Soul
Labels:
art,
artist,
blowing,
born of the Spirit,
Chicago,
collective memory,
painting,
photograph,
poem,
poetry,
sculpture,
song,
wind,
winds of change,
winds of war,
windy city,
Wyeth
Sunday, February 22, 2015
The Ascent of Man
In the beginning
of his life, the man is born into this world. He is born and raised as a child.
Over years of time, the boy becomes a man. Finding himself in the midst of mankind, he looks around at the world and the people in it, and he wonders what it is all about.
The man tries to make his way in the world, striving to find his place in it, but the attempt is not easy, nor is it simple.
One day, he sees the mountain.
He is drawn to the mountain. He begins ascending it. After climbing to the top, he pauses to consider the city below, from whence he has just come.
That's interesting.
But there's more to getting perspective than just climbing a mountain. Because he lives in the 21st century, the man is afforded even better opportunities to get a lofty view of the world. And so he ascends even further.
After the man comes down, and his head is no longer in the clouds, he finds himself once again in the midst of the world, struggling to attain mastery over the elemental forces of nature, and contending among the diverse populations of mankind for his very own place of fulfillment and destiny.
After a while, he pauses to gather his thoughts. Writing them down for his children, for posterity, for whatever rhyme or reason, he attains a certain satisfaction in having experienced life. Reflecting upon his experience, he writes.
Life is good: life. But he knows there is something meaningful behind it all, some lofty purpose, but it is beyond his field of vision. He he cannot see it, and so he cannot readily identify it. He is not quite sure what is up there.
Nevertheless, the man continues. He rises from his reflection, and trudges on, moving through the opinions of mankind, and among the great monuments and feats of men and women upon the face of the earth, and the revelation of God among the men and women of the wide world.
For many and many a year, he sojourns along the path that is laid before him, for many risings and descendings, many decades, and yeah I say unto thee even, vicariously, through many historical epochs of mankind, and upwards into the mountain peaks of experience and downwards into the valleys to drink from cool, babbling brooks of refreshment, and then quieting himself to discover still, quiet pools of reflection.
It is good.
Then one day, he finds himself at an unprecedented place. A place he has never been before, nor will ever be again, a place from which there is no egress.
The man opens wide his eyes and looks fearfully, studying with wonder whatever it is that is in front of him. There, between the two constructs of experience and reflection, there directly across his forward path, he sees the obelisk of his destiny. He looks up; he squints, trying to figure it out.
There, at the top of the monument--there is nothing there.
No, wait. There is something there. What is it?
At the top of his obelisk of destiny, there it is: the way of all flesh. But beyond the way of all flesh, he could see only open sky.
And so he entered into it. But that was no end; it was the beginning.
Glass half-Full
of his life, the man is born into this world. He is born and raised as a child.
Over years of time, the boy becomes a man. Finding himself in the midst of mankind, he looks around at the world and the people in it, and he wonders what it is all about.
The man tries to make his way in the world, striving to find his place in it, but the attempt is not easy, nor is it simple.
One day, he sees the mountain.
He is drawn to the mountain. He begins ascending it. After climbing to the top, he pauses to consider the city below, from whence he has just come.
That's interesting.
But there's more to getting perspective than just climbing a mountain. Because he lives in the 21st century, the man is afforded even better opportunities to get a lofty view of the world. And so he ascends even further.
After the man comes down, and his head is no longer in the clouds, he finds himself once again in the midst of the world, struggling to attain mastery over the elemental forces of nature, and contending among the diverse populations of mankind for his very own place of fulfillment and destiny.
After a while, he pauses to gather his thoughts. Writing them down for his children, for posterity, for whatever rhyme or reason, he attains a certain satisfaction in having experienced life. Reflecting upon his experience, he writes.
Life is good: life. But he knows there is something meaningful behind it all, some lofty purpose, but it is beyond his field of vision. He he cannot see it, and so he cannot readily identify it. He is not quite sure what is up there.
Nevertheless, the man continues. He rises from his reflection, and trudges on, moving through the opinions of mankind, and among the great monuments and feats of men and women upon the face of the earth, and the revelation of God among the men and women of the wide world.
For many and many a year, he sojourns along the path that is laid before him, for many risings and descendings, many decades, and yeah I say unto thee even, vicariously, through many historical epochs of mankind, and upwards into the mountain peaks of experience and downwards into the valleys to drink from cool, babbling brooks of refreshment, and then quieting himself to discover still, quiet pools of reflection.
It is good.
Then one day, he finds himself at an unprecedented place. A place he has never been before, nor will ever be again, a place from which there is no egress.
The man opens wide his eyes and looks fearfully, studying with wonder whatever it is that is in front of him. There, between the two constructs of experience and reflection, there directly across his forward path, he sees the obelisk of his destiny. He looks up; he squints, trying to figure it out.
There, at the top of the monument--there is nothing there.
No, wait. There is something there. What is it?
At the top of his obelisk of destiny, there it is: the way of all flesh. But beyond the way of all flesh, he could see only open sky.
And so he entered into it. But that was no end; it was the beginning.
Glass half-Full
Labels:
ascending,
Athens,
cross,
destiny,
experience,
life,
life and death,
meaning of life,
mountain,
perspective,
purpose,
reflection,
Rome,
sculpture,
sojourns,
the beginning,
travel,
view,
vision
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