Showing posts with label song. Show all posts
Showing posts with label song. Show all posts

Tuesday, April 14, 2020

Prine's Paradise Demise

My old friend Terry, fellow baby boomer, called me the other day; he had a few things on his mind concerning the state of the world and so forth.
One very recent development that my friend was wondering about was the death of singer/songwriter John Prine. Terry was not so much surprised or alarmed at the death of the low-profile, though legendary, songwriter, because death happens to each one of us eventually anyway.

What perplexed my old singing buddy was how the obituary had captured the attention of the mainstream media.
“Mainstream media”. . . I hesitate to use that term, because, in our lifetime, the popular understanding of that term has changed.
When we growing up in the 1950’s-60’s etc. . .the mainstream media was thought to be, generally, the big three TV networks—CBS, NBC, ABC, along with the big heavyweights in print, the Times, the Post, the Journal etcetera etcetera.
As our lifetime got played out, the internet eventually eclipsed those old-school news sources. Replacing the former “mainstream media”, along came the heavyhitters that we all know today: Google, Facebook, etc etc, accompanied by a select few quasi-traditional TV networks—CNN, MSNBC, Fox, and of course the big kid on the blog for wonky elites, progressives and Democrats—NPR.

So last week, suddenly John Prine tributes were all over NPR et al with wide-eared wonder at the obscure songwriter’s profundity and prolific legacy, even though ole John had never hit the big time.
The biggies pretty much ignored the singer while he was alive; but when he died, several of them were, for a few days, all about John Prine this and John Prine that.
My friend Terry was perplexed why there would be so much media stir about Prine when they had previously not paid much attention to him. In other words, what’s the big deal about John Prine dieing?
I was wondering the same. Over the last few days, I have pondered what could be the explanation for this development, and I have figured it out.

My theory is this:
John Prine was prophetic. His song, Paradise, represents a profound foretelling of an isolated event that became—because of Prine’s song—a symbol of our present worldwide irresponsible destruction of the natural world.
To employ an academic description: the industrial destruction of one specific site—Paradise, Kentucky— is a microcosm; it  represents on a small scale what later happened (and had been already happening) in a worldwide plundering of natural resources at the terrible expense of our naturally beautiful planet.
What intensified the significance of the Muhlenberg County destruction was this fact: “Mr. Peabody’s coal train (that) hauled it away” was rapaciously extracting vast shovel-fulls of COAL, which has become the #1 villain on the Unwanted List of climate change alarmists.

SmokIndust

Last week, in the wake of John Prine’s demise, many progressive commentators in the NPR et al vein of mainstream media suddenly realized—because of their youthful listening to Prine—the prophetic significance of this one song. So they began to talk it up.
As far as the song goes . . . it is a historic, lamenting composition. . . in my opinion one of the great songs of the American folk legacy.

You are invited to listen to my rendering of the tune:
     http://www.micahrowland.com/carey/PrineParadise.mp3

King of Soul 

Monday, January 20, 2020

Dr. Martin Luther King, Jr.

 As a person who grew up in the deep south in the 1950's-60's, I wrote a song about
Dr. Martin Luther King, Jr.

In 1977, by the grace of God I was able to record the song in a studio in Nashville.
Hear now the message of the song, which is about two great, historical leaders
From careyrowland.com . . . Mountaintop

         MLKing


Glass half-Full

Wednesday, December 4, 2019

Winter Daydream

Having grown up in Louisiana, I moved to the Blue Ridge mountains while in my mid-20’s.
Ever since that time—the late 1970’s—I have lived, married, parented and grown steadily older in an Appalachian culture.
Truthfully though, the two cities I have lived in reflect a post-Appalachian culture.
Ole long-bearded Zeb with overalls—you don’t notice him so much anymore; he’s probably running a landscape business to service the manicured lawns of well-heeled snowbirds.  And barefoot Ellymae in threadbare calico on the front porch—she’s more likely now to be monitoring the  gas-pumps from behind a convenience store checkout.
To some extent, mountain culture has become homogenized with the dominant American obsession with superficial style and commercialism.

But not totally.
One thing that is nevertheless still quite different  from living down the mountain is the temperature. We typically see a 7-12 degree lower thermo up here.
We actually have four seasons here!
In the Deep South . . . not so much.
When this southern boy first arrived in the high country, I cultivated some romantic notions about the cold weather. I suppose this is because—in spite of the painful nipping in fingers and toes —it was such a refreshing experience after growing up in twenty-four blistering deep south summers.
The immanent—and in some ways, dreaded— arrival of our 2019-20 winter comes as no surprise.

WinterComin

This morning I woke up remembering an old song that I had written and recorded, many years ago, shortly after becoming a mountain man myself. The song is, on one level, about the coming of winter.
On another level, it is about a very noticeable shift in our American culture that has happened in my 68-year lifetime—single parenthood.
I am not one of them. But being a man married, thankfully, for forty years, and a grandfather. . . now provokes rumination about the many challenges  young parents must face in this age of temporary partnerships.
We have many more single parents in 2019 than we did back in the 1950’s-60’s when I was growing up. My old song that crept into my imagination this morning presents a romanticized image of a single mother as she contemplates past and future. In her foreground is the upcoming winter outside her window on a cold, crisp early-winter day.

Since memory of  the song seems to have popped out of nowhere this morning in my awakening dream-state, I thought sharing it with you might be something to do.
      Portrait of a Lady     


Tuesday, February 5, 2019

Baby Boomers' Labor Lament


Here’s a little ditty of a rhyme to be sung to the tune of . . .
a song from back in the days of Davy Crockett, Howdy Doody, Roy Rogers and Dale Evans . . .

Oh give me a loan
so I can buy a home
where our kids and their friends can play,
where seldom is heard
a contentious word
and the mortgage is paid before my dying day.

Oh give me a job
so I won’t have to rob
from  Pete to pay Paul,
and so I’ll pay no interest on the cards;
and never shall we fall
on  bad times at all,
And I won’t have to work too damn hard.
BuildingUp
Oh give me job security
by the time I reach maturity
so our competence is not made obsolete,
and the skills we were taught
don’t get replaced by a bot;
and my dignity doesn’t just lapse in defeat.

Oh give me a timely upgrade
so my life’s work doesn't fade
on the trash heap of obsolescence.
Oh please let me try
to outsmart the AI,
so my time's not spent out in the dread convalescence.


Monday, January 21, 2019

Dr. King remembered

I was a white boy growing up in the deep south.
In my life, 1951 . . .  a vivid memory stands out: the remembrance of this brave man:



. . . his life, his work, his service to mankind, his leadership in the perilous project of fulfilling our Creator's call to

. . . bring good news to the afflicted, . . . to proclaim liberty to the captives and freedom to prisoners . . . (Isaiah 61:1)
In my lifetime, I can think of no other American who demonstrated greater courage than Dr. Martin Luther King, Jr. He persisted tirelessly in the sacred call to blaze a trail of opportunity for oppressed people. He persevered in the face of certain death, as he fully understood the vengeful opposition of other men--white and black--who  ultimately took him down.

The name assigned to him at birth, King, was appropriate, as he went on to conduct the life of a true leader, a born leader, an orator, an organizer who truly fulfilled  the declaration of our nation's founding principles:

We find these truths to be self-evident, that all men are created equal,  that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.


In my lifetime, I can recall no other person who more deserves annual remembrance during a national holiday. Although he had his faults, his own sins as we all do,  he was a man of whom this world was not worthy.  In this world, he helped God and fellowman to "make a way where there is no way." He blazed a trail toward that "equal" status mentioned by Mr. Jefferson and the Continental Congress when they composed our Declaration back in 1776.

I am looking forward to meeting Dr. King in heaven, or whatever you call it. Many years ago, I wrote this song about him and an ancient leader named Moses:

Mountaintop

Friday, October 26, 2018

From Digging to Digitizing


The history of mankind has consisted of humans pulling stuff out of the ground and reworking it to suit our own survival purposes.

As people became more and civilized, and organized, the underlying survival instinct took a back seat to other motivations—gathering surplus, tribal organizing, development of skills and trades, cooperation and competition. . . eventually industry,  government, education, business, recreation, sports, entertainment.

The progressive developments of all these human activities required something that was necessary and common to all of them:

Resources.

Stuff from the earth itself. Raw material. Basic stuff:

Water, dirt, plants, rocks, ores, animals, hides.

As civilization moved forward, these basics were refined by us— reconstructed, manufactured to fulfill the requirements of human development.


The list of basic stuff (above) was revised to include:

Drinks, processed foods, fertilizer, livestock, leather, pets, tools, machines, lumber, metals, trains, cars, planes, appliances, telephones, radios, televisions, computers.

Computers--aha! With these, human development embarked upon a new phase.

Information itself becomes as useful (or at least we think it is as useful. . .) as all the other stuff that we’re using to make the world a more convenient place since the beginnings. Knowledge itself has became a resource. Yeah, though I dare say it—a commodity.

So we notice that over the course of human progress we did move steadily from pulling stuff out of the ground, and reworking it so that we could improve our life, to—

Pulling information out of our data machines.

Like it or not, this is the outcome of human history. We have come to this. Now development is largely about retrieving and using data files to improve life or capitalize upon its developments.

In the same manner as we traditionally removed natural resources from the ground and turned it into our good stuff.

And bad stuff. Let’s not forget that part. Our progressive high-tech life now generates bad stuff. Pollutants, toxins, noxious substances and, of course, shit itself, which still happens every day on a very large scale. 

A consequence of our globally massive improvement project is that more and more persons are being driven into knowledge jobs.

Instead of all that plowing, digging, mining, constructing that we did all through history—more and more of us are typing, cataloging, programming, sitting at desks and watching computers do our so-called  work for us. Such activity (relatively, it is inactivity) becomes the order of the day for us as far into the future as many of us can see.

This digitized transformation of human development will bring us to some huge changes. I read an article about it this morning:

https://www.ips-journal.eu/regions/global/article/show/the-false-hero-called-digitalisation-3050/n

Seeing as how we now have entered the age of information retrieval slowly overtaking natural resources recovery. . . seeing as how we gaze collectively at what seems to be the setting sun of human physical toil, I offer a tribute to the noble enterprise of Human Labor.


This tribute I offer in the form of a song. Gordon Lightfoot wrote it years ago.

It is one of the best songs ever written about the glory of human labor. You may listen to the songwriter’s rendition here:

https://www.youtube.com/watch?v=PXzauTuRG78 

I also offer my own rendition of Gordon’s “Canadian Railroad Trilogy”, a song that I dearly love to sing.

Gordon's Railroad Trilogy

As you listen to both versions, imagine you are watching a sunset—the disappearing brightness of human labor accomplishment, being supplanted by a foggy dawn of. . . whatever is ahead for our collective endeavor.

King of Soul

Friday, October 19, 2018

Change Is Gonna Come


Some wise person said a fish wouldn’t know (s)he was out of water until it actually happened. When the angler yanked the critter up the into air, the fish would immediately know that something had gone terribly wrong.

I think our situation in modern life is a little bit like that. In our present media-engulfed life, we humans are so totally immersed in electronic media that we would feel disoriented and panicky if we were suddenly jerked out of it—like a fish out of water.

Some might even suffer withdrawals.

Nowadays some social critics among us complain about the dumming-down effects of twitter and facebook, and all that other blahblah googlifief also-ran flimflam that’s floating around in the datafied air of 2018.

Back in the day, during the adolescent phases of my baby boomer generation, people romanticized about the fact that we were the first generation to get raised up with a tv in the living room and therefore a boob-tube mindset. Whoopdee doo that we had pop-culture and instant gratification on the brain instead of the traditional 1-2-3 and a-b-c worldview of previous generations. No wonder we fantasized that we could change the world. We were walking around in the first-ever TV-generated dream world.

Actually, some of us did change the world. Those guys who were mastering their calculus and fortran instead of doping up—they managed to hatch out a totally electronic data tsunami that has since commandeered our attention and maximized our compulsive fascination with constant entertainment distractions and rampant twitt-faced narcissism.

Along with some real information, of course. There's always both bad and good in any changes that are gonna come.

A  generation before us in the timeline, it was another set of emergent media wonders that were transforming the world of the 1930’s, 40’s and 50’s. Our parents’ generation also grew up with a revolutionary media box in the living room and the dashboard—radio. They had Roosevelt’s fireside chats, Glenn Miller, Amos n’ Andy,  and Orson Wells’ terribly realistic radio depiction of us being invaded by extraterrestrial aliens.

But radio was no TV. Radio was about hearing. TV was like a whole new, artificial world of hearing AND seeing.

The rate of change, accelerating in the TV age, has exponentially accelerated and intensified with the coming of the electr(on)ic internet, 21st-century version.

A few years ago, I undertook a writing project to express some of the angst of the boomer generation that I grew up in.

Because I had graduated from high school and then entered college in 1969, my novel, King of Soul,  turned out to be mainly about the elephant-in-the-room issue of my g -generation's historical  era—the Vietnam war.

But that war was far from being the only issue that we Americans had to deal with.


In struggling to depict—and even to somehow reconcile—the great divide between them that went and us who did not go to Vietnam, I embarked on a research project to learn how the Vietnam war had started and how it escalated to become such an overarching generational crisis. My g-generation was torn apart because of what all took place over there as a result of our tragic illusion.  We thought we could, with our high-tech way of doing things, show a country of undeveloped farmers how to expel the communists.

We learned a very hard lesson. It was tragic, what happened. 

While the world had worked a certain way during the Big War, when we ran the Nazis back into their holes, something had sure as hell changed by the 1960’s.

The old tactics of massive military push against jungle guerrillas did not work.

Meanwhile back at the ranch, the kids didn’t wanna have to go over there and do Lyndon’s dirty work.

The anti-war movement’s seemingly sudden organizational strength in 1967 was no mere happenstance. Those activists who devised a widespread effective resistance against the war had learned the hard facts of life from a previous protest movement—the Civil Rights movement.

It took a while for the anti-war movement to get its act together. But when they finally did, it was because of a hard lesson that had been learned by black folks down in dixie.

In the Freedom Summer of 1964, a widespread collection of honky activist youth suddenly showed up down in the Segregated South to help the black folk get organized for voting and organizing real societal change. There in the historical shadow of the old defeated, slave-slappin’ South, wide-eyed yankee students got a fierce reality check. Their rose-colored glasses were left broken on the blood-stained grounds of Georgia, Alabama and Mississippi, when they saw what violence and oppression the racist Establishment was inflicting on people of color.

Right here in Amerika, it was. Land of the free? and home of the brave!

A wake-up call it was. Based on what them wide-eyed college kids from up Nawth encountered when they got down here, they got a severe reality check. Stopping the war in Vietnam  would be no walk in the park. There was bad shit going down right here in the good ole USA, just like in the rice paddies of Vietnam.

If the peaceniks wanted to get us out of Vietnam, they would have to get organized, and maybe even pick up some heavier-duty tactics . . . civil disobedience.

Meanwhile, there were a few blacks who were doing alright. Sam Cooke was one of them.

During the early 1960’s, Sam was a very successful singer-songwriter. Most of his tunes were soulishly romantic and swingy. He had a knack of finding the best in everything he wrote about. With an admirable optimism that shone forth in all his song-work, Sam managed somehow to spread good will and positive attitude everywhere he went, in spite of all the tough changes that were going down.

Some may have thought Sam to be an uncle tom, because he didn’t get angry.

But Sam Cooke—even though he celebrated optimism and good attitude—was no uncle tom.

He was not a “house nigga.”

Here’s a song that expresses Sam’s feeling about the societal changes that he felt needed to happen in the USA in the mid-1960’s.  After his death in 1964, this composition was released posthumously on the B-side of a single record called Shake, and also on an album by the same name.

Here’s the tune, A Change Is Gonna Come:

https://www.youtube.com/watch?v=wEBlaMOmKV4

And here’s my version:

Sam's Change Is Gonna Come

As we geezers have seen in our lifetime, change did indeed come.

But some things will remain the same.

Here’s a truth that always remains: Change is gonna come, like it or not.

When it does, may the change be with you, and . . . may you be with the change, if it is good.

If it’s not good, go listen to some of Sam’s old hit songs and get an attitude adjustment. Maybe you can learn to deal with it as he did—with a good attitude.

King of Soul

Monday, October 1, 2018

the Brett v Blasey Blowup


This is a bad situation.


It is probably true that many many men have been getting away with rape in days gone by. And it is certainly true that politics and trouble have polarized and spun out of social control as many many victimized women who are mad as hell about the arrogance with which men flaunt their libido and leverage their blahblah white male privilege and so it is indeed possible that all hell is breaking loose in America.

And it is true that a couple of those rad feminists caught Jeff Flake while he was trying to get on or off an elevator, and those two feisty women delivered a tongue-lashing that would intimidate any uppity male member into limp impotence and politically correct compliance.

And it is true that Jeff Flake threw a curve at his fellow Republicans by trying to do the right thing and provide a forum for all this raw rage to be aired out. Maybe he did all of us Americans a favor by in effect slowing down the runaway train of GOP nomination fever, for the sake of casting our eyes for a week or so on the extreme danger that is inflicted on Americans by so many men walking around in hyped-up sexual frustration. 

But the possibility that any of these issues will be resolved in the next week, as the FBI investigates Blasey Ford’s accusations—is about as probable as the New Ladies’ Temperance Union imposing mandatory burka coverage upon the live skin of all those millions of young women of America who so delight in flaunting their provocative features, even as they revel in denying lecherous men access to the partaking thereof.

And so, while this started out as a bad situation last Friday, what we know for sure is that by next Friday it will be a worse situation.

But my strategy concerning such bad situations as this is: Write a song about it.

So I did.

I wrote a song about what happened in the Senate Judiciary Committee meeting last Friday, around 1:30 Congressional time. I borrowed the melody from Mamas and Papas old tune, Creeque Alley.

You can find the tune sung at http://www.careyrowland.com, at pretty much the top of the page:

The Ballad of Brett v. Blasey

Saturday, February 17, 2018

Boomers' Choice (reprise)


Is this world screwed up or what?

Tell me about it.

Nevertheless, there may be reason enough to find happiness,

contentment fulfillment and all that stuff

in the silver lining that highlights those dark clouds.

We baby boomers do have a choice, you know,

about whether to cry in our beer

or find cause enough to rejoice while

we’re here on planet earth.

Have a listen:


Boomers’ Choice:

Well, the boys came marching home from Germany and France

and the bomb had made a blast in in Hiroshima.

We were driving brand new cars; we were waving

stars and bars

and everywhere was another factory.

Back in 1953,

cruising with Dwight E.,

Elvis sang the whiteboy blues,

McCarthy looking under every bush.

In the home of the brave and the free

rolling on prosperity

and all the kids were going off to school.


 

Ten years down the road

another dream had come and gone

and the power of one gun had made itself known.

Back in 1964

big Lyndon opened the door

for civil rights and a bloody Asian war—


young men on porkchop hill

young women on the pill.

At home they said don’t kill;

get a psychedelic thrill.

But the dreams of a woodstock nation

were just an imagination

when the boys came trudging home in ’73.

 

So it’s hey hey ho is there anybody home

and its hie hie hey, seeking light in the night of day:

the dreams of a woodstock nation

were just an imagination

when the boys came trudging home in ’73.

 

Well, it just don’t pay to sob;

guess I’ll get myself a job

selling leisure suits, maybe real estate.

I’m not moving very fast,

just waiting in line for gas

and Johnny Carson gives me all my news.

Back in 1976,

overcoming dirty tricks,

some were moving back to the sticks;

some were looking for a fix.

Ayatollahs on the rise

sulfur dioxide in the skies

and the system makes the man that’s got his own.

 

They say an elephant won’t forget;

let’s play another set.

There’s always another ghost on pac-man’s tail.

Don’t let this boom go stale.

Let’s find an airline for sale

or pop another tape in the VCR.

Back in 1989,

we’re living on borrowed time

getting lost in subtle sin

eating oat bran at the gym.

But there’s an empty place inside

and I was wondering why

these vanities don’t suit.

I’m going back to the gospel truth.

 

And it’s hey hey ho is there anybody home

and it’s hie hie hey, seeking light in the night of day;

There’s an empty place inside and I was wondering why.

These vanities don’t suit;

I’m going back to the gospel truth.

 

Put on your Sarejevo, Mogadishu, Kalishnikov and Columbine shoes,

for the way is treacherous with ruts and rocks.

Yeah, we figured out digits out

before that Y2K could spoil our rout,

but that 9/11 call was in the cards.

Did you consider the question of heaven

before the wreck of ’07?


Will you hear the trumpet call

from the Ancient of Days.

Our way is littered with freaks and fads

from Baghdad through our mouse pads

as the reaper swings his steely scythe

across our wicked ways.

And it’s hey hey ho is there anybody home?

And it’s hie hie hey, seeking light of day.

It’s a dangerous place outside

and I was wondering why.

This world don’t give a hoot;

I’m going back to the gospel truth.

 

  King of Soul

Monday, September 5, 2016

A Boomer Looks Back

Now that I've been growing up for 65 years, I am at last approaching some semblance of adulthood.

During the course of my baby'boomer lifetime, I have seen some changes; some of them I am actually starting to comprehend.

Now I look back on it all and find myself wondering about some things, but quite sure about some other things.

Several years ago, my wife and I spent some vacation time on the island of Maui, in the great state of Hawaii. While driving one afternoon down the western slope of Hale'akala volcano, we happened upon a memorial to a great man named Sun Yat-sen.

In his lifetime, during the early 20th century--1911, Sun lead many of his countrymen in a revolution that deposed the old monarchy of their country--the Chinese Qing dynasty. But before that happened, he had spent some time in Hawaii; that's why there's as statue of him there.

At the base of Sun Yat-sen's memorial a quote from him is carved in the stone, and this is what is said:

LOOK INTO THE NATURE OF THINGS

Ever since I saw that, I have been working that pearl of wisdom into my way of living as much as I can. And this principle of living and learning has been not only a motivation for me toward acquiring useful knowledge, but also a source of great joy and satisfaction.

This principle is expanded in the Proverbs of the Bible: Understanding is a fountain of life to one who has it. Proverbs 16:22.

Now this may seem like a philosophical idea, but it is really very productive in the living of real life. Here's a nuts n' bolts example:

In 1992, when I was still a young man of 41, working as a carpenter to provide for our three children, and for my wife who had not yet become a nurse, and for our household, I took a job with a construction company remodeling (a refurb job) an old K-Mart. My job was to tear old stuff out from around the inside perimeter of the store and replace it with a newer style of retail display.

I had been visiting K-Marts ever since I was a teenager in the 1960's. So I had been seeing those retail structures for most of my life. But to look behind the facade, into the structure, and then to reconstruct the structure based on newer, more modern components--this work experience held a strange satisfaction for me, as well as a source of income for a season of our life.

Working on that K-Mart was more than a paycheck; it was a joy to behold as the various phases of reconstruction unfolded beneath my hands and before my eyes.

Look into the nature (or structure) of things!

Many years have passed; now I'm looking back on it all. Part of the outcome from this reflection will be a novel that I am now researching and writing. It is a story that takes place during the time of my youth; it has become a cathartic process for reconciling the difference between what I thought I knew then and what I now know about that turbulent period of my g-generation's growing up.

Ours was the generation whose maturing was said to be delayed because Dr. Spock wrote a book about child care that--as some have judged it--convinced our mothers to spoil us.

While there may be an element of truth to that judgement, I have noticed in my conversations with some people lately that there is category of folks in our boomer generation who were definitely not spoiled:

Those guys and gals who fulfilled their duty to our country by going to fight the war in Vietnam--they found themselves in a situation where they had to grow up in one hell of a hurry.

What I am seeing now is, in my g-generation, there was a great divide between: Them that went, and them that didn't.

While I was college freshman in 1969, trying to figure out what life was all about, and marching against the war, those guys who who went to 'Nam were required--and yeah I say unto thee--forced to figure out how to keep life pumping through their bodies and the bodies of their buddies who fought with them.

Those soldiers who went over there had to grow up a lot quicker than I did.

I did not go to Vietnam. My lottery number in 1970 was 349, so I literally "lucked out" of it.

During that time, a time when I was stepping lightly through ivory-tower lala land, our soldiers on the other side of the world were trudging through jungles, heavy-laden with weapons and survival gear. While I was privileged to be extending my literacy skills, they were committed to learning how to kill the enemy before he kills "us."

Now it turns out my research about the '60's is swirling around two undeniable maelstroms of socio-political showdown: civil rights and the Vietnam war.

So, in my project of looking into the nature of things in the 1960's, I am learning about that war and how it came to be a major American (undeclared) war instead of just a civil war between Vietnamese.

One thing I have found is that Secretary of Defense Robert McNamara undertook a similar project in 1965. When he was in the thick of it all--as one of the best and brightest industrial leaders of that age, having been recruited as an insider in the White House, then calling the shots on major events, wielding incredible military power on the other side of the planet, in the heat of the moment and in the fog of war, he found himself wanting to know. . .

how the hell did this happen? how the hell did we get here?

McNamara's question lead to a .gov-commissioned research project, paid for on our taxpayer dime, and ultimately made public by the primary researcher of that undertaking, a former Marine Lt. Col. named Daniel Ellsberg.

Look deep into it. In Ellsberg's case he looked deep into 7000 pages of military documentation, starting in the 1940's and going all the way through Tonkin Gulf in 1964.

Look into the nature of things.

I'll let you know in another year or two--when the book is done-- what my search dredges up from the streets and battlefields of our g-generation's search to find meaning and fulfillment, and maybe even a little justice and mercy thrown in.

But one thing I want to say, now, to THEM THAT WENT:

Although things did not turn out the way we had intended, there isn't much in this life that actually does end up like we thought it would.

You went and did what the USA asked, or compelled you, to do, while many of us were trying to pull you back to stateside.

Thank you for your service. We'll need many more of your stripe before its all over with.

Glass half-Full

Listen: Boomer's Choice

Friday, March 11, 2016

The Scarecrow some of us have known

We put ashes of my nephew away yesterday, in the cold ground. It was a sad event, tragic that a young man could strive through the difficult decade of being between age 20 and 30, only to have it end abruptly.

Searching for love, with a false start or two, and fathering two young ones into this world along the way, Erik had just started to turn the corner between bittersweet street and true love way with his very own soulmate, Nora. Then he passed away. Absolutely no one was expecting it. It was a tragedy for our large extended family. On a perfect March day, we put what was left of his earthly remains away, but not the memories.

His sister Samantha, my niece, pierced the hearts of us all with her tender remembrance of Erik's life--his unique presence in the history of our world, his wry humor, his fierce determination to provide for the young family despite all the pitfalls of finding and retaining work in this fiercely competitive world. More importantly though, his sister brought to our gathered attention his intense love for his children, his blooming love with his newfound bride of five months. And then his sister mentioned the bluebird.

In many ways, the young man who passed reflected the troubles of our times. At age 30, he was a tender shoot, untimely snipped by death's sharp shearing. In sibling Samantha's sensitive eulogy, she explained why Erik called his wife, his true love, "bluebird."

It was a reference to a very timely, profound love song by a young singer I had never heard of. But at the memorial ceremony, a recording of the ballad was played for us to hear as we reflected up the life and childlike legacy of the deceased.

As an aging songwriter of sorts myself, I was struck dumb with admiration when this line--about the power that is unleashed in a lonely heart when absolute love is at last discovered-- poured out of the sedate funeral home sound system:

"In my heart stands a scarecrow, and if he's hurt he doesn't say so; he chases everything he loves away.

But at night, when it's colder, there's a bluebird on his shoulder, and he whispers that he'll hold her one bright day. . ."

https://www.youtube.com/watch?v=9WfwNwjbbpA

Such a love song I have never heard. And such a life as Erik's will never again be lived again. John Fulbright's tender love tune came to my attention through this memorial to Erik, his beloved widow Nora, and his sister's remembrance of it all. The song, linked above, captures more than I could ever explain in words.

Thank you, Sam, for sharing this rich love of life lived by your brother, which has now been passed to us by his passing.



Glass half-Full

Saturday, December 12, 2015

We Boomers will have a Choice to make.


Well, the boys came marching home from Germany and France,

and the bomb had made a blast in Hiroshima,

We were driving brand new cars;

we were waving stars and bars,

and everywhere was another factory.

Back in in 1953, cruising with Dwight E,

Elvis sang the white-boy blues,

McCarthy looking under every bush.

In the home of the brave and the free, rolling on prosperity

and all the kids were going off to school.



Ten years down the road. . .

another dream had come and gone

and the power of one gun had made itself known. Then,

back in 1964, big Lyndon opened the door

for civil rights, and a bloody Asian war:

Young men on pork chop hill; young women on the pill;

at home they said don't kill, get a psychedelic

thrill.

But the dreams of a Woodstock nation

were just an imagination

when the boys came trudging home in '73.



And it's hey hey! ho--is there anybody home?

and it's hi hi hey!, seeking light in the night of day,

but the dreams of a Woodstock nation

were just an imagination

when the boys came trudging home in '73.



Well, it just don't pay to sob.

Guess I'll get myself a job

selling leisure suits or maybe real estate.

I'm not moving very fast,

just waiting in line for gas

and Johnny Carson gives me all my news.

Back in 1976, overcoming dirty tricks,

some were moving back to the sticks.

Some were looking for a fix.

Ayatollahs on the rise,

sulfur dioxide in the skies,

and the System makes the man that's got his own.



They say an elephant don't forget.

Let's play another set.

There's always another ghost on PacMan's trail.

Don't let this boom go stale.

Let's find an airline for sale!

or pop another tape in the VCR.

Back in 1989, we're living on borrowed time,

getting lost in subtle sin

eating oat bran at the gym.

But there's an empty place inside,

and I was wondering why

thèse vanities don't suit.

I'm going back to the Gospel truth.



And its hey hey! ho--is there anybody home?

and its hi hi hey, seeking light in the night of day.

Yeah, there's an empty place inside

and I was wondering why

thèse vanities don't suit.

I'm going back to the Gospel truth.



Put on your Sarajevo, Mogadishu, Kalashnikov and Columbine

shoes,

for the way is treacherous with ruts and rocks.

Yeah, we figured our digits out

before that Y2K could spoil our rout,

but that 9/11 call was in the cards.

Did you consider the question of heaven

before the wreck of '97?

Will you hear the trumpet call from the Ancient

of Days?

Our way is littered with freaks and fads,

from Baghdad through our mouse pads

as the reaper swings his steely scythe across

our wicked ways.



And its hey hey! ho--is there anybody home?

and its hi hi hey, seeking light in the night of day.

Its a dangerous world outside

and I was wondering why;

this world don't give a hoot.

I'm going back to the Gospel truth.



Listen to it:

Boomer's Choice © ℗ Carey Rowland 2004



Music and Books

Friday, October 2, 2015

The Brightness

I snapped this pic yesterday at sunset on Hapuna beach:


What fascinates me here is the brightness of the sun's reflection. Both the sun and its reflection on the ocean water are captured in the photo, making the sun's effect on the image doubly bright.

There's one source of light, the sun, the appearance of which is made twice as intense by its reflection on the surf.

It's funny what this made me think of--a scene in the rock opera, Jesus Christ Superstar.

When I was in college at LSU, many and many a year ago, I went to a road-cast presentation of that incredibly expressive musical play. It blew me away.

Which is to say. . .I enjoyed it very much. The music therein is an incredible piece of work, composed by Andrew Lloyd Webber and Tim Rice. I think those guys wrought a new genre at that time--a thing called rock opera, which was as fresh and new in 1971 as, say, the original opera genre was for Italians back in the day when Verdi was composing great emotive arias with incredible cadenzas and powerful ensemble singing scenes.

Among the many amazing scenes in that play is one that endures in my memory even to this day. It's a dim recollection, in the sense that I can't recall exactly which scene it was; but I do remember there, in the scene, there was some kind of exquisitely choreographed crescendo of frantic motion and dissonant voices, disintegrating musically into librettic confusion and wild cacophony, when suddenly--a presence, a dramatic presence, accompanied by overpowering musical intervention, personified by the entrance of some powerful entity, maybe a king or a gifted leader. . .the entrance of the man, Jesus, eclipsed all the singers' disintegrating harmony as the superstar of the show arrived upon the scene.

A bright light overpowering darkness.

Here's a version of the scene that I found online:

https://www.youtube.com/watch?v=QG1JWJFGfOU

When I ponder what happened in that scene at the Temple in Jerusalem, I think of it this way, as the prophet Isaiah had foretold, in the 60th chapter of his prophetic writing:

"Nations will come to your light, and kings

to the brightness of your rising. . ."

The brightness of his presence eclipsed their depravity.

And that overpowering illumination is what I thought of when I viewed the sunset pic, which I inserted at the top of this here blogpost.

As for the rock opera, Jesus Christ Superstar, I consider it a musical work of absolute genius, but I do have one problem with the play. . .

no Resurrection scene.

About seven years after I was blown away by that awesome musical stage production, I arrived at a point in my life when I came to believe that Jesus did indeed rise from the dead, and he will come again, as Messiah for all the world, and on that day. . .

Nations will come to his light, and great men and women will be drawn to the brightness of his coming.

You believe that?

Whether you do or not, watch a video of Jesus Christ Superstar. Then decide for yourself whether there should be a Resurrection scene. I hope you can rise to the occasion.



Glass half-Full

Wednesday, September 23, 2015

The Delicate and the Dead


This delicate hangs in morning light,

suspended in some spider's spun delight,

a wispy statement of fragile beauty,

from some web-based arachnid cutie.


This dead was laid upon a lava shore,

upended by the ocean's roar;

'twas sturdy structure, now skeletal wood,

struck down by nature because it could.


The delicate and the dead are opposites in nature,

like Libs and Cons in a legislature.

If men could do anything and make it last,

some other men would squelch it fast.

That's just the way it is in this world,

like a flag that's furled and then unfurled.

It's just a worldly fact: and then it goes back,

and then it goes back.

https://www.youtube.com/watch?v=RlIdx-FBjXA



King of Soul

Sunday, July 12, 2015

The Wind


I don't remember the first time

I ever felt it,

or saw or heard it, but

I know it is there.

I mean I know its here

or at least it was a minute ago.

And before that I saw a picture of it,

evidence that it was there

or here or somewhere.

It was in an art gallery where Mr. Wyeth had

done something or other that

moved me, really moved me although

I don't know why.

This involved brushing paint on a canvas.


It was a wistful scene but then a few minutes later

I saw another work that some artist had left behind

about a shipwreck, and it looked pretty severe.


So it works both ways.

Don't know how or when

but I remember too, some poet or his

singing about it, and he said the answer was

blowing in it,

the answer to what I don't know

maybe how many times must the cannonballs fly

or the winds of war blow or

the winds of change rearrange

everything that is or ever was or ever will be.

A few days ago I was in that windy city


where stuff had happened

long ago, back in the day,

and I remembered

part of what had happened

but I wasn't sure if it had happened to me

or if I just remembered it from some

news report I saw or some

painting I viewed or collective memory from

my g-generation


and then I remembered that ye must be born

again. The wind blows where it wishes and you hear

the sound of it, but do not know where it comes from

and where it is going; so is everyone who is born

of the Spirit

and that's enough for me.

You feel it?

I'm not making this up.



King of Soul