what Original artist did

While universe was expanding in all directions, Creator chose one lump and began working with it, rearranging its underneath mass so that water could rise to the surface. The hydrogen/oxygen element would move in a purposeful way instead of just sloshing around.

Creator spun that world into motion so that the sunlight which struck its surface would brighten half of world for a day while allowing the other half to return to darkness during the same interval.

Thus did this division between the lightened side of world and the darkened side establish a cycle which would become known to us as day and night.

Then Creator used the interaction of sunlight and water to introduce an earthly cycle by which water could morph between two different states: liquid and vapor. The liquid would generally flow on, and within, the surface, while the vapor would rise to celestial functions.

This was a heavenly arrangement, although it was happening on crude earth—pretty cool, definitely an improvement over the old lump. Let us just call it day and night. Makes sense to me. You?

Creator was inspired, and so, kept going with it, stirring the flowing waters, gathering them together and thus separating the water from a new thing that was emerging—dry land.

Thus did we have earth and seas. Once again. . . pretty cool, and btw, cooling; by this stage, progressive processes had definitely been set into motion to produce something worthy of a good narrative.

But Creator didn’t stop there. Next thing you know, from out of this developing earth—this interplay between light and dark, active and passive, wet and dry—here comes a new kind of stuff having the coding wherewithal to sprout new stuff never before seen or heard of. Long story short—plant life that could and would regenerate itself on a regular purpose so that Creator could go on to bigger and better things. Awesome!

Through the veggies and their seeds, it was obvious that things were getting better on earth, through the continuing interplay of this very predictable, dependable alternating cycle between light and dark, day and night, active and passive, living and dying.

All in all, not bad for a day’s work, as we say out here in flyover country.

But, hey, that was just the beginning. . .

Glass half-Full

Shifting Sands Sublime

Beneath the appearance of things
behind the wonder that contemplation brings
there lies a universe of joy and pain
entrained upon whatever relics still remain
of a world colored by some eternal stain;
and wherever that stain remains
things are not and will never be the same
provoking some to surmise it’s just a game
that they can play and then refrain
from any effort to name
or explain.
And yet,
so many live for what they can get;
they allow no time to pause and let
life just happen along the way
so they can soon look back and say
what a joy it is to pause and stay
in the lingering light of a well-lived day
while the world just turns on come what may.
Oh, history breaks on sands far away
while here we enter into the fray;
we laugh or cry along the way
tomorrow and today,
I say, I say:
If I could comprehend this troubled world
so creative, yet destructively unfurled
I’d grasp the mystery, so sublime
that slaps between the sands of time
on this ever-shifting, long shoreline—

this consciousness of mine,
maybe it’s in or out of line
and maybe with a little sip of wine,
yes, I’d dream up some silly little rhyme,
and whether it be sublime and fine
or not worth a dime,
it nevertheless is mine,
and yet it can be thine
if you take the time.

King of Soul

Peering through windows

Whether through windows of time

or a window of glass

we peer through,

maybe through the windowed pane

eyes of the artist who is

long gone yet

lives on

displaying legacy image for us

to view

through our window of time

into his memory of love

through her yielding to the pangs

of love

the pain of love

Yeah, windows golden with memory

they are

moments of love so

dear to him and her and now

to us

golden memories they are

images of what carried them forward

into future or carry us

backward into reflection

backward into history

where precious intricacies of the human mind and hand were

crafted for us or 

assembled for us

to see,

to view

through a glass darkly

through barriers of time

or glass

or gates of iron or the

gates

of Vienna

when the invaders had been turned away

and later where

the artist lived and breathed and

loved

and left a gift, their moment of prescious love

which came to be their

golden moment,  and later his gilded

memorial of love for us to

peer into,

before the gates could close again.

 

Smoke

Fifth Dimension

If you are looking for a better way of life--a city, perhaps, or a country, in which plenty of good stuff replaces the deficiencies and poverties of this present arrangement. . . if you are thinking, perhaps wishing, for a nation or kingdom in which justice prevails instead of corruption and all is well instead of screwed-up, the only way you can find such a ridiculous thing as that is to first believe that it does exist somewhere.

Or believe that it can exist.

Now if you can believe that, if you already do believe it, then your mind, your soul, is operating in a realm that is beyond the world that we know and live in and walk around in every day.

Take a look at the device on which you are presently reading this message. Over on the right side of your electronic view is a vertical line; it is the edge of the screen. At the top of that line is a pixel, or point, positioned in the upper right corner of your screen. From that point, look downward along that straight line until your attention is placed directly on the point at the very bottom corner of the screen.

Now your mind has conceived a straight, vertical line. It represents one dimension of your view, that dimension being what we shall define as "height."

From that point at which your mind arrived at the right-lower corner of your screen, train your eye along the bottom edge, so you are viewing a straight, horizontal line extended between that corner and the one on the bottom-left. Now that you have conceived that horizontal line, you have arrived at the idea of a third dimension, which we shall define as "width."

Now imagine.

Imagine--as you ponder that pixel-point in the left-lower corner of your screen--imagine another line, beginning at that point and extending through airspace directly to your left eye. Now you have conceived the idea of a third dimension, which we shall define as "depth."

Next, consider that from your original starting-point--which began from the top-right and then went from there to the lower-right and then over to the lower left and then directly from the screen to your eye--consider that it took a little while for your eye to perform all that viewing. Now your mind has arrived at an idea of a fourth dimension, which we shall define as "time."

Now consider this:

There is a whole universe out there, far beyond the confines of that line on the right side of your device, far beyond the bottom edge of your screen, and extending far, far beyond the distance from your screen to your eye. Furthermore, this universe has existed for a much longer time than you can conceive or imagine. Within this universe you can find some quite amazing developments. Take, for instance, this:

Now if you can plant a seed from which such a wonder as this can be brought into existence--far surpassing, in its complexity and beauty, the simplicity of these straight lines you just pondered, and far surpassing our simple concepts of height, width, depth and time by which we thought rationally about these phenomena, and if you can understand that this rose will grow and bloom, and if you can appreciate that people who pass by may marvel at its beauty, and they will wonder how such a beautiful thing could arise from the mere dirt of this earth.

If you suppose that just maybe this did not just happen through the natural processes of this physical world, but rather that there is-- preceding it all and activating all--there is a sentient creator who conceived it all and then caused it all to happen and then allowed you to enter into it and be astounded at the beauty and wonder of it all, and if you can believe that you yourself can enter into this creative vortex by the power of God and participate in that creation. . .

. . . then you have entered into the realm of the fifth dimension, which we shall define as "faith."

Welcome to the kingdom of God.



Glass half-Full

Time and Towers

In this life, things aint what they used to be. In fact, they'll never be what they used to be. Things are--have always been--what they will be.

My life, for instance began as a gleam in my daddy's eye. That shining life force moved, somehow, into mama's domain, then emerged nine months later as me. My entrance into this world was really a stretch, like maybe a kid passing through the eye of a needle. But I got through it all right, mama did too, and here I am still kicking, sixty-four years ago.

I remember hearing a special song almost a half-century ago; Joni Mitchell sang, "Something's lost and something's gained in living every day,"

Which is so true.

Now the something lost could be something small and insignificant, maybe a coin, or a hat, or a credit card. Or the something lost could be something important and irreplacable, maybe a rare work of art, a diamond ring, or a person dear to you.

In this picture from the year 1997, you see two buildings that no longer exist.

To reflect on the their absence, maybe we could think of it this way: the two are gone, but today one is erected where the missing two once stood.

This is a little bit like life itself. In my case, probably yours too: there were two that stood for awhile, mama and daddy. But now they are gone.

In their absence, I remain, a tower of my own imagination and God's enabling grace. There I am in 1997 on the right side of the pic.

On the other end of the picture, my nephew Erik stands next to my son. But something tragic has happened. As of yesterday, Erik is gone. Like an early March bud taken by the last frost, he was suddenly taken from us.

But that young man had become a father. So, while he sojourned with us for a while before departing, now two children--a boy and a girl-- remain in his absence.

This is the way it has always been for us. Mothers and fathers can procreate and love their children. Children can honor and cherish their parents.

For the children who remain, life as it is now will not be the same as it was for mom and dad. The world is a different place.

But however it turns out for you, I hope you can agree with me: Life is, by God, pretty dam good. Live it while you can because one day it won't be there for you any more.

You may be one of those stubborn persons, like me, who believe life goes on after death. I know someone who has actually gotten through that whole death thing and lived to tell about it.

As for me and my nephew, I look forward to seeing him again on the other side.



Glass half-Full

The Bookends of Experience

As far as East is from the West,

and near to worst as to the best,

I have wandered lonely as a cloud

as we travel from some swaddle to the shroud.

Once we drove a stake in the ground and called it home;

now this morning wakes me here as sun is shone.

Situated now on continental sunrise heights

while recalling vivid island sunset sights,

and noticing here our stark and spindly leaves, these trees,

I recollect the wide and warm of ocean breeze.

Experience goes as far as mountains are from sand,

then circles back around to water, air and land.

Sometimes life is hard, you know;

at other times it's soft as autumn leaves make show.

As days turn dark,

so light doth continually toss out some spark

of hope or happiness or flexibility

that is yet assailed by despair or dearth or rigidity.

Experience comes as vividly as rising sun;

then memory renders it precious when day is done.

Doors of perception

open into windows of reflection

as present slips into the past

and future finds a fleeting foothold fast.

We amble here and there and everywhere;

we ramble now and then without care.

When reality and reflection mingle in the sands of time

imagination splurges into rhythm, sometimes in rhyme

when myself is beached upon the rock of time,

and our family finds itself with God and universe in line.

Glass half-Full

Allies in History

The Charger rides out upon a cusp of history's advance

with zeal that flashes in his hand,

brandishing our great weapon of destiny

that had earlier been forged

upon the anvil of progress.

He's duty-bound on pushing the envelope of change

through yonder canyon of chaos, or mountain of

justice, whichever comes forth first.

His steed, chomping at the bit to yank upon the seams

of troublous times,

rips out the evil twins of lethargy and lies, and

by opposing ends them

for a while.

Yon Paxateer, on the other hand,

is methodical and principled.

He summons forth coalitions of belief,

taming methods of madness,

crossing rivers of patient sadness.

His armature has accumulated in the crucible of time

from the residue of our Charger's blood,

and the aggregate left behind when women toil

and men do sweat

for all the progress mankind can get,

although we are not there

yet,

if ever shall we be.



Together, between them,

among them and in spite of them,

the wisdom of the ages settles in,

if there is such a thing.

For history is not yet written,

nor the evils that beset men smitten

until the sands of time

are deposited on this body of mine

and yours.

King of Soul